Can you open up a bit about your work and career? We’re big fans and we’d love for our community to learn more about your work.
Ten years ago, I was an editorial illustrator living in Brooklyn when I saw the paintings of Philip Guston for the first time. The raw imagery and tactile surfaces shocked me and I knew the moment I saw them that I was born to paint.
A series of abstract paintings based on the neighborhood of Park Slope earned my acceptance to grad school at UCLA in 2012. I was in over my head for the entire first year — it was like learning a new language. I can’t overstate how much I learned from fellow grads like Brooks Turner, Kim Truong, Emily Sudd, Paul Sepuya, Sarah Sarchin, Anthony Miserendino, Calvin Marcus, Ravi Jackson, and Bridget Beck, and from professors like Patty Wickman, Lari Pittman, and Roger Herman.
Most of my work uses line and color to depict fantasy and/or doomsday scenarios. I trust my intuition and in the collision of ideas above all else.